IIII. Love those beames that breede,

X:4
T:IIII. Love those beames that breede,
T:BASSUS.
C: John Dowland
H: From A Pilgrimes Solace.
H: Wherein is contained Musicall 
H: Harmonie of 3. 4. and 5. parts,
H: To be sung and plaid with the Lute and Viols.
H: First published in 1612
L:1/4
M:C
%%MIDI nobarlines
%%MIDI ratio 3 1
%%MIDI gchordoff
% %%LY voices \property Voice.Slur \set #'dashed = #1
N: Original clef, F on third line
K:G dor bass
|:"(2)"g2 - g/ (a/ b) f g d2
N:(2)For this line, the clef is a normal bass clef, but the key signature is correct for a baritone clef, and the other lines have a baritone clef.
w: 1.~Love * those * beames that breede, 
w: Love * I * quench with flouds,
w: 2.~Ile * goe * to the woods,
w: For * I * am de- ceiv'd 
w: 3.~Love * then * I must yeeld
w: Since * I * see my wrongs, 
B c G3/4 A// B3/4 c// d B e 
w: all day long * * *  breed, and feed,
w: Flouds of teares, * * * night- ly teares
w: and a- lone, * * * make my moane,
w: and be- reav'd * * * of my life, 
w: to thy might, * * * might and spight
w: woe is me, * * * can- not be
f B3/4 b// a/ g/ f3/4 e// f B4 :|
w: this bur- * * * * * * ning:
w: and mourn- * * * * * * ing.
w: o cru- * * * * * * ell:
w: my jew- * * * * * * ell:
w: op- press- * * * * * * ed,
w: re- dress- * * * * * * ed.
B b > a g a2 d d g _e f2 
w: But, but a- las teares coole this fire in vaine, 
w: O, o but in the woods, though love be blinde,
w: Come, come at last, be friend- ly Love to me,
z B _e > d c c d > c B G/ g/ d d HG4 |]
w: The more I quench, the more, the more there doth * re- maine.
w: Hee hath his spies, my se- cret, se- cret haunts * to finde.
w: And let me not, en- dure, en- dure this mi- * se- rie.