WALLOP THE POTLID (jig)

X:493396 
T:WALLOP THE POTLID (jig) 
S:S: ONMI.1048 < McFadden
Z:Z: Brennan/Black
Q:1/4=160
R:jig
M:6/8
L:1/8
K:Dmix
F2D DED|E2D DED|F2D DED|DFA BGE|
F2D DED|E2D DED|E2C CEC|CEF GFE:|
%
DFA dcd|edc d2B|ABc d2e|fed edc|
d2e fda|gec d2c|ded cAG|FAF GFE:|
%
f2d dfd|e2d dfd|f2d dfd|dfa bge|
f2d dfd|ded dfd|e2c cec|cef gfe:|
%
ded dfd|cec cec|dfd dfd|dfa bge|
ded dfd|cec cef|ged cdf|gea gec:|
%
ABc dcd|edc d2c|ABc deg|fed edc|
d2e fda|gec d2c|dad cAG|FAF GFE:|
%
DFA dcd|edc d2B|ABc deg|fed efg|
fdf ecA|dAB cAG|ced cAG|FAF GFE:|\
"^coda"HD6|]
%
N:N: O'Neill's key signature for this tune is D, so all his C's would be sharp 
N:(there aren't any accidentals in his setting). On the other hand, my key 
N:signature is Dmix, which means that all the C's will be natural. The truth is 
N:probably somewhere in between. Unfortunately this is the only setting of 
N:this tune that I can find, so I don't have anything to compare it to.